February 1, 2010

Readings for Next Week

5.    February 8                        Renaissance Humanism in Florence

Cases: Alberti

REQUIRED READINGS: Read all of Books Two and Three, Leon Battista Alberti On Painting.  Available online.  Book II, a: http://www.noteaccess.com/Texts/Alberti/2.htm ; Book II, b: http://www.noteaccess.com/Texts/Alberti/2a.htm ; Book III: http://www.noteaccess.com/Texts/Alberti/3.htm

This is a treatise on painting, written in the 15th century by a Florentine.  You may want to read this text on Florence in the Renaissance for background: http://smarthistory.org/Florence.html as well as the section on Brunelleschi and linear perspective: http://smarthistory.org/Brunelleschi.html

Also, read about architecture in the renaissance: http://www.metmuseum.org/TOAH/HD/itar/hd_itar.htm

Questions:  what is istoria? How does Alberti describe painting and painters?   What is a good painter like, according to Alberti?  Why?  How must painters be educated?  What other significant points does Alberti make?

  • short writing assignment #2 (formal analysis re-written) – due in seminar.  You must post one copy to turnitin.com and give a hard copy to your TA

February 1, 2010

Chartres

Hi Everyone,

If you want to look more closely at the rose window on the wall of the North transept, click here.  For the main page for this site, a large database of images from Chartres, click here.

The Images of Medieval Art website is another great resource for information about Chartres.

One of your classmates, Tinu, found this intriguing short film about Chartres, made by National Geographic, that provides a bit more information about medieval beliefs about the power of geometry: http://www.youtube.com/watch?v=16zh6zPlX98&feature=related

It is only a portion of a larger National Geographic film that will air on February 4.

I am glad so many of you enjoyed today’s lecture!

January 31, 2010

Reminder

You can always find the weekly readings here: http://introart.wordpress.com/about-the-course/lecture-and-reading-schedule/

______________

The readings for tomorrow are:

REQUIRED READINGS: be sure to look at the images

  • Barbara Abou-El-Haj, “The Audiences for the Medieval Cult of Saints,” Gesta, Vol. 30, No. 1 (1991): 3-15.  Available on JSTOR.
  • Department of Medieval Art and The Cloisters. “The Cult of the Virgin Mary in the Middle Ages”. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/virg/hd_virg.htm (October 2001)
  • Chapuis, Julien. “Gothic Art”. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/mgot/hd_mgot.htm (October 2002)
  • Department of Medieval Art and The Cloisters. “Relics and Reliquaries in Medieval Christianity”. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/relc/hd_relc.htm (October 2001)

SUGGESTED READINGS: be sure to look at the images

  • “Gothic: Jamb Figures, Chartres,” SmartHistory, http://smarthistory.org/Gothic.html
  • Department of Medieval Art and The Cloisters. “The Crusades (1095–1291)”. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/crus/hd_crus.htm (October 2001)
  • “400-1300 Medieval Era,” SmartHistory, http://smarthistory.org/medieval.html

January 25, 2010

Information about Quiz #1

Quiz #1: opens January 25, 5pm, closes February 1, midnight

You may take the quiz at any time during this window, but please do not wait until the last minute, in case you have technical difficulties.  This is an open book quiz, but remember, once you star the quiz, you will only have one hour to complete it.

Remember: the quiz covers lectures 1-3, including all resource materials, such as readings, the library resources Laurie showed you today, etc.

When you are ready to take the quiz do the following:

1) Go to https://learning.library.brocku.ca

2) Log in with your portal user name and password

3) Scroll down the page and find our class listed; click on the link

4) Scroll down to number 4; click the link to take the quiz.

5) You will have one hour to complete the quiz.

January 18, 2010

Week 3 — Readings and Questions

3.    January 25                        Representation of the Human Form – Ancient Greece

Cases: Archaic and Classical sculpture

  • Carol C. Mattusch, “Naming the ‘Classical’ Style,” Hesperia Supplements, Vol. 33, (2004): 277-290.  This reading is available through JSTOR on the library website. You will need your portal information to log in.  Connect and then do an advanced search for the author’s name and the title of the article.  You can then download a .pdf.
  • Barnet, “Revising: Achieving a Readable Draft,” p. 180-186. [save this for next week]
  • short writing assignment #1 (formal analysis) – due in seminar
  • quiz #1 opens, 5pm

Your seminar will focus on the Mattusch reading.

Your first task is to find the author’s thesis or main idea.  Try to describe her argument in a few sentences.

Secondly, look at the kinds of evidence she uses to support her argument.  List the different kinds.

What are the main points she makes to support her argument?  Write these down in your own words.

Is she contributing to existing theories or writing against them?  Can you point out where she does this?

Finally, do you agree or disagree with her argument?  Why? Why not?  What do you see as the main issues she addresses?  Are they relevant?  Why or why not?

January 17, 2010

Instructions for the Annotated Bibliography Assignment

Annotated Bibliography

This assignment is due March 29.  It is a good idea to begin working on it now.

An annotated bibliography comes in many forms, but, in general, it is a bibliography that contains additional information about the sources.   For this course, you will compile an annotated bibliography on a narrowly defined topic where each source is summarized and assessed for its usefulness for your project.

Here are the steps you should take to successfully complete your assignment.  Please click on the links for more information about the specifics of writing and research.

Choose a Topic:
For this assignment, first choose an art historical issue, artist, art movement or work of art as a broad topic that interests you.   The parameters are open – it can be any art historical topic from cave painting to 1950.  Next, narrow this broad topic to a manageable topic (that could be the topic of a 7-page undergraduate paper) and develop a research question or set of questions.  What do you wish to know about your topic?

Research:
The next step is to begin to conduct research on your topic in light of answering your question.   Begin with the library website.  Search databases for articles, RACER for interlibrary loan and the library catalogue for books at Brock.  You are required to use academic sources for this assignment.  Gather a number of different types of sources – as many as you can find.   The assignment only asks for seven sources, but you want to find the seven best sources on your topic.

Your seven sources must include:

•      at least two peer-reviewed journal articles
•      at least one book or article obtained through inter-library loan (include a photocopy of the yellow book cover to prove this)
•      at least two academic books, or chapters from academic books
•      no more than one web page, which must be a good web page, suitable for academic research (please note that you are not required to use a web page)

Read & Think:
Read your sources.  A brief overview is all you will need at first.  Then choose your seven best sources.  Read these more closely and take good notes.  After reading, devise a thesis about your topic.  A thesis statement is the short answer to your research question.

More Research:
If you haven’t found seven good sources, keep looking.  Get creative.  Look at the bibliographies and notes of all your sources.  Who are these authors citing?  Track down the authors’ sources.  Still stuck?  Consult a research librarian on the help desk.  Do not leave any of this until the last minute, or you will be unable to complete your assignment.

Write your Annotations:
Write a brief summary and assessment of each source, in paragraph form.  Each annotation should be 150-200 words long. Your goal here is concise, precise writing. Summarize the main argument of the source and then explain how and why it is useful or not useful for your purposes.  Edit and revise these annotations carefully.  You have a few words in which to describe and analyze the source.  Make sure you choose your words carefully.

Assemble Your Annotated Bibliography:
Do no use a cover page.  Type your title, name, course information, date and student number at the top of the page.  This will be followed by your narrowed topic, research questions, thesis statement and annotated bibliography.

You must write up each bibliographic entry in perfect Chicago style and arrange them alphabetically, according to author’s last name.  It is up to you to find out the proper format for each of your sources.  This might include going to the library to look at the reference copy of the Chicago Manual of Style.  Bibliographic entries are single-spaced.  After the entry, insert another space before your annotation, which will be single-spaced.  There should be two spaces between each bibliographic entry.   Please see this example for format.

IMPORTANT!

➢    Your use of Chicago Style must be exact
➢    You must summarize and evaluate/assess your sources
➢    Follow instructions carefully
➢    Your topic must be sufficiently narrowed for an imagined paper that will allow you to properly evaluate your sources in light of your topic (i.e. not “Egyptian art” or “Raphael” or “Romanticism”; instead choose “the function of the ka statue in Egyptian funerary practices,” or “Raphael’s use of classical mythology,” or “why Turner persistently focused on Venice as a subject in his paintings.”
➢    You likely will not be able to discover your topic until you have done some reading
➢    Make your topic the title of your annotated bibliography
➢    Single space your annotations; double space between annotation and entry and between entries
➢    Spelling, grammar, punctuation, format, writing style etc. all count
➢    Your entries must be concise and precise
➢    Please come and see me if you are having difficulty
➢    Leave yourself plenty of time to work on this assignment
➢    Have fun!  This is your chance to research a subject that interests you

This is how your annotated bibliography will be graded.

January 11, 2010

Week 2: Readings

Art and Symbolism – Prehistoric and Egyptian Art

Cases: Caves at Lascaux, Great Pyramids

LECTURES: read the Heilbrunn Timeline of Art entry on “Egypt, 2000–1000 b.c.” here.  Be sure to click on the links. Familiarize yourself with the different periods of Egyptian art. Read also this brief page on the Old Kingdom as well as this essay about Egyptian tombs.  This “List of Rulers” is also helpful, as is this brief discussion of kings and queens in ancient Egypt.  These are brief essays of 1-4 paragraphs that will provide you with background information on ancient Egypt.

SEMINARS: read Barnet, p. 1-9, 113-127.  Be prepared to discuss the text and to visually analyze some works of art.  Your TAs will also go over the first assignment with you and will hand out and collect the Learning Contracts.

December 26, 2009

Welcome

Welcome to Introduction to the History of Western Art aka VISA 1Q99, LART 1Q99 and IASC 1Q99.

Our first lecture is Monday January 11, 2010 at 11 am.  See you then!